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Virago Reprints and Modern Classics
Reprinting, republishing and re-covering old books in new clothes is an established publishing practice. How are books that have fallen out of taste and favour resituated by publishers, and recognised by readers, as relevant and timely? This Element outlines three historical textures within British culture of the late 1970s and early 1980s – History, Remembrance and Heritage – that enabled Virago's reprint publishing to become a commercial and cultural success. With detailed archival case studies of the Virago Reprint Library, Testament of Youth and the Virago Modern Classics, it elaborates how reprints were profitable for the publisher and moved Virago's books - and the Virago brand name - from the periphery of culture to the centre. Throughout Virago's reprint publishing - and especially with the Modern Classics - the epistemic revelation that women writers were forgotten and could, therefore, be rediscovered, was repeated, again and again, and made culturally productive through the marketplace.
The Philosophy and Practice of Medicine and Bioethics
This book challenges the unchallenged methods in medicine, such as "evidence-based medicine," which claim to be, but often are not, scientific. It completes medical care by adding the comprehensive humanistic perspectives and philosophy of medicine. No specific or absolute recommendations are given regarding medical treatment, moral approaches, or legal advice. Given rather is discussion about each issue involved and the strongest arguments indicated. Each argument is subject to further critical analysis. This is the same position as with any philosophical, medical or scientific view. The argument that decision-making in medicine is inadequate unless grounded on a philosophy of medicine is n...
Theology of the Soul
Theology of the Soul engages with a thoroughly theological and philosophical subject in fresh and profound ways: the soul. The author examines the possibility of a concept of the soul in modern, Western theology. In the second part of the 20th century speaking about the soul was strongly criticized in Theology and Philosophy. Consequently, many academic theologians consider the word “soul” problematic. Remarkably, the word “soul” is very much present in contemporary culture. This book takes cultural notions of the soul as employed by, for example, Marilynne Robinson and Oprah Winfrey, as a point of departure. The author then investigates the functions of the soul in classical theolog...
The Medusa Gaze in Contemporary Women’s Fiction
The Medusa Gaze offers striking insights into the desires and frustrations of women through the narratives of the impressive contemporary novelists Angela Carter, Toni Morrison, Sylvia Plath, Margaret Atwood, A.S. Byatt, Iris Murdoch, Jeanette Winterson, Jean Rhys and Michèle Roberts. It illuminates women’s power and vulnerability as they construct their own egos in opposition to their hostile alter egos or others facing them in their mirrors, and fixes a panoptic gaze on the women stalking its pages, as they learn how to deflect the menacing gaze of others by returning their look defiantly back at them. Some stare back and win assurance; others are stared down, reduced to psychic trauma,...
The Pen and the Cross
An illuminating study looking at an influential group of Roman Catholic novelists and writers - Chesterton, Belloc, Waugh, Greene, Spark and David Lodge among others. Students and Scholars at all levels of English Literature, of the place of Catholicism in English society and any intelligent reader interested in the relationship between religion and literature.
Feminism, Femininity and the Politics of Working Women
This text discusses the development of the Women's Co-operative Guild from the 1880s to World War II. Charting the rise and fall of a feminist organization, the author assesses its political significance and examines the causes of its demise.
Writing Mothers and Daughters
This first systematic study of mother-daughter relationships as represented in Western European fiction during the second half of the 20th century provides a comparative study of works from England, France, Germany, Austria, Ireland, Italy, and Spain. For each individual body of texts, the authors identify characteristics arising from specific national literary traditions and from internal cultural diversities. The text suggests avenues for future investigation both within and across national boundaries. The featured writers include Steedman, Diski, Winterson, Tennant, de Beauvoir, Leduc, Djura, Wolf, Jelinek, Mitgutsch, Novak, Lavin, O'Brien, O'Faolin, Morante, Sanvitale, Ramondino, Chacel, Rodoreda, and Martin Gaite. The six contributing authors are scholars from New Zealand, England, Ireland, Italy and Wales. Annotation copyrighted by Book News, Inc., Portland, OR
Narrating Motherhood(s), Breaking the Silence
Feminist theory on motherhood has successfully transformed mothers into subjects of their own discourse, recognized the historical, heterogeneous and socially constructed origins of their life experience while, at the same time, widening our understanding of the notion of mothering. This collection combines a literary and a wider cultural perspective from which to look at the topic of the representation of other or forgotten motherhoods. Mothers who have been forced to live exiled and away from their children, women who after trying to conceive, get pregnant but discover they cannot bear to become mothers, or even literary characters based on an autobiographical experience of a sexually abusive mother. The essays critically point out how writing becomes a tool to think and write about the many aspects of motherhood such as an idealized maternal experience versus the real one or the accepted stereotypes of the good mother and the bad mother.
Twentieth Century Crime Fiction
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
An Intimate Distance
An Intimate Distance considers a wide range of visual images of women in the context of current debates which centre around the body, including reproductive science, questions of ageing and death and the concept of 'body horror' in relation to food, consumption and sex. A feminist reclamation of these images suggests how the permeable boundaries between the female body and technology, nature and culture are being crossed in the work of women artists.
